![]() And that's where pink noise mixing comes in to save the day. ![]() ![]() ![]() The problem is, when using a reference from within the mix itself, levels can change on you quickly as you start the clean up, equalizing, and especially dynamic compression phases. From there you have the main rhythm down and can start bringing up hi-hats, vocals, and other instruments on the faders. To create a "volume reference" we tend to hunt down the kick drum and bass and get them sounding great together then bring in the snare drum. You may not realize this as an organized person, but more people than not send in the most absurd projects with 50+ tracks, unlabeled and ungrouped, with zero effort in place to clean up the noise in the tracks or anything. When you receive a raw DAW project file with a song ready to be mixed, the first thing a mixing engineer will typically do is balance the levels across all of the tracks in relation to one another and pan them around.
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